Man on Chicken and Chinese Roof Figures Including on the Forbidden City rooftops
#1
Posted 07 March 2006 - 06:30 AM
I'm in Beijing with my sister at the moment and we toured the Forbidden city, she was intrigued by the small chicken with a man on it followed by two mythical beasts which appears on the corners of the rooftop. I remember it was something to do with deflecting lightening, but I can't really remember.
Can anyone fill me in?
Cheers
DannyJo
#2
Posted 07 March 2006 - 12:16 PM
People put monsters and stuff on the roof eaves to scare away evil spirits.
That's a Prince on a Chicken that you see and he is very common on temple roofs and old, old chinese buildings too.
I've forgotten which Prince he was (Prince of some state), but he was an evil person, so EVIL that people later decided to add him onto the procession of monsters to put on their roofs.
So the next question is why a chicken? That's easy. Chickens can't fly away, so this way, the EVIL prince has to stay on the roof and can't escape.
True story I swear.
This post has been edited by Liang Jieming: 07 March 2006 - 12:17 PM
#3
Posted 07 March 2006 - 08:45 PM
#4
Posted 07 March 2006 - 11:58 PM
Liang Jieming, on Mar 7 2006, 05:16 PM, said:
I've forgotten which Prince he was (Prince of some state), but he was an evil person, so EVIL that people later decided to add him onto the procession of monsters to put on their roofs.
So the next question is why a chicken? That's easy. Chickens can't fly away, so this way, the EVIL prince has to stay on the roof and can't escape.
I believe you LJ
My question now to all is who was this prince, there are enough Forbidden City experts on the forum to answer this?
And is it any old temple or building or is it only those associated with the Imperial family?
Your chicken answer makes a lot of sense aswell as it didn't really fit in with the mythical beasts behind it.
Thanks to all.
#5
Posted 08 March 2006 - 01:34 AM
Anyway, it's a prince of the Warring States or the Spring and Autumn Period actually (if I remember correctly) and it's not limited to Imperial buildings but any building that wants to ward off evil.

From the Sanbao (Zhenghe) temple roof in Melaka (Malacca). Our dear "Chicken Prince" is the little guy smack in the centre of the picture.
This post has been edited by Liang Jieming: 08 March 2006 - 01:46 AM
#6
Posted 08 March 2006 - 02:34 AM

Is that what you're referring to?
The building itself is the Hall of Supreme Harmony (太和殿), otherwise known as Imperial Golden Hall (金銮殿) or Imperial Throne Chamber.
The figures on the roofs are known as zŏu shòu (走兽), or as a wiki entry puts it : yán shòu (檐兽) [see wikipedia's entry on Imperial roof decoration)
The following is taken from http://www.dpm.org.cn which is an official website of the Forbidden Palace museum.
It can be found in the link for Hall of Supreme Harmony (太和殿).
Quote
又称小兽,屋顶檐角所用装饰物。根据建筑物的体量大小定其使用数量,一般采用单数,太和殿用10个,属于特例。其排列顺序为龙、凤、狮子、天马、海马、押鱼、狻猊、獬豸、斗牛、行什,多为有象征意义的传说中的异兽。走兽所处的位置,在垂脊、戗脊的下端,正是几坡瓦陇上端的汇合点,为封护盖住交会线的连砖的上口,必须在连砖上覆盖脊瓦;因其斜下,若无措施不免有下滑之虞,故在交梁上需用多数铁钉加固,为掩饰铁钉的痕迹,于是在钉帽上加饰了一系列的小兽形象,起到美化建筑的作用。后来建筑技术不断发展,屋檐部位不需要加铁钉,而走兽的形象却保留下来,成为建筑等级的标志和建筑装饰构件。
According to this website 故宫太和殿上的小兽,
the first animal figure was supposed to be a phoenix (凤), the entire figurine is called 骑凤仙人 or 仙人骑凤.
Its resemblance to a chicken was not missed, and some called it 仙人骑鸡.
There were various lores associated with that figure.
In one of them, it was the lord of the State of Qi (齐) escaping his enemies after being defeated. Just when he came to a river and had nowhere to run, a big bird flew and carried him to safety. The reasoning for putting the figure at the very edge of the spine of the roof structure was to imply being saved from danger (逢凶化吉).
Other lores had it it represented a wicked man ; either a nephew of Jiang Ziya (姜子牙) or King Min of Qi (齐泯王), and their presence on the edge represented them being at the edge of danger.
http://gb.chinabroad.../109@392355.htm

I'm afraid I can't find anything about protection from lightning.
According to the passage I quoted above, they were aesthetic coverings for the reinforcing nails that were necessary where sections of the roofs meet, though each animal had a mythical connotation.
This post has been edited by snowybeagle: 08 March 2006 - 02:36 AM
#7
Posted 08 March 2006 - 10:57 AM
http://www.virtualto...tions-BR-1.html
I have no idea if its true or not, but that's a site where anyone can enter information, and it incorrectly identifies the creature as a hen, not a phoenix.
#8
Posted 26 March 2006 - 08:11 PM
Kymvir Raemiz, on Mar 8 2006, 11:57 PM, said:
http://www.virtualto...tions-BR-1.html
I have no idea if its true or not, but that's a site where anyone can enter information, and it incorrectly identifies the creature as a hen, not a phoenix.
Wow.. this is a great link. It explain most of the superstitious things for the oriental..
If you had not committed great sins,
God would not have sent a punishment like me upon you."
~~ The Great Genghis Khan.
#9
Posted 26 March 2006 - 08:56 PM

Can't really see it, but you can tell it is on every roof.
http://www.ccdemo.in...ImpRoofDeco.jpg
Look at this picture. They said that different buildings have different beasts on them as long as it adds up to an odd number. The different beasts indicates what the building is used for.
#10
Posted 26 March 2007 - 10:07 AM
I’m not sure I found the right-right answer, but here’s what C.A.S. Williams say in his book Chinese Symbolism and Art Motifs. I haven’t finished reading this book but I found it to be a quite a treasure. I believe the contents are more true than mere postulations. I recommend this book to anyone who has a lot of questions about Chinese symbols and mortifs.
… In the year 283 BC, the tyrant Prince Min of the state of Qi, after being defeated by a combination of other states, was strung up to the end of a roof ridge and left hanging there without food and water, exposed to the sun until he died. To stigmatize his evils deeds, the people placed a effigy riding a hen, on the roofs of their houses. With the weight of the prince, the hen cannot fly down. To prevent the hen from escaping over the roof, a qiwen was placed at the other end of the ridge. It was not until the time of Ming Emperor Yongle that other figures were added. A correct set would be in this order – hen, dragon, phoenix, lion, unicorn, celestial horse, qiwen. If more is required, any one can be repeated except the hen and the qiwen, but always so as to form an odd number up to eleven - odd number comes under influence of Yang. Over time, the arrangement and number of figures departed from the original….
Below are photos of two roofs - Forbidden City and Temple of Heaven. They have Prince Min riding the hen. But I notice that in pagodas and Taoist temples, it is very different. Hope others can share what they know.

#11
Posted 26 March 2007 - 11:29 AM
I'm not sure of the roof-figures origins, but forummers have discussed Dragons on roofs on this thread and the Man on the Chicken on this thread.
Here's what Snowy wrote on that second thread:
Quote
The following is taken from http://www.dpm.org.cn which is an official website of the Forbidden Palace museum.
It can be found in the link for Hall of Supreme Harmony (太和殿).
QUOTE
走兽
又称小兽,屋顶檐角所用装饰物。根据建筑物的体量大小定其使用数量,一般采用单数,太和殿用10个,属于特例。其排列顺序为龙、凤、狮子、天马、海马、押鱼、狻猊、獬豸、斗牛、行什,多为有象征意义的传说中的异兽。走兽所处的位置,在垂脊、戗脊的下端,正是几坡瓦陇上端的汇合点,为封护盖住交会线的连砖的上口,必须在连砖上覆盖脊瓦;因其斜下,若无措施不免有下滑之虞,故在交梁上需用多数铁钉加固,为掩饰铁钉的痕迹,于是在钉帽上加饰了一系列的小兽形象,起到美化建筑的作用。后来建筑技术不断发展,屋檐部位不需要加铁钉,而走兽的形象却保留下来,成为建筑等级的标志和建筑装饰构件。
According to this website 故宫太和殿上的小兽,
the first animal figure was supposed to be a phoenix (凤), the entire figurine is called 骑凤仙人 or 仙人骑凤.
Its resemblance to a chicken was not missed, and some called it 仙人骑鸡.
There were various lores associated with that figure.
In one of them, it was the lord of the State of Qi (齐) escaping his enemies after being defeated. Just when he came to a river and had nowhere to run, a big bird flew and carried him to safety. The reasoning for putting the figure at the very edge of the spine of the roof structure was to imply being saved from danger (逢凶化吉).
Other lores had it it represented a wicked man ; either a nephew of Jiang Ziya (姜子牙) or King Min of Qi (齐泯王), and their presence on the edge represented them being at the edge of danger.
http://gb.chinabroad.../109@392355.htm
#13 Guest_royba_*
Posted 19 September 2007 - 07:05 PM
The Mysterious Tale of Min
The Forbidden City has its small roof animals in front of the Hanging Beasts. The first figure is a human-like person sitting on some form of a bird. There is a curious (and ridiculous) tale which first appeared in 1919 or so, that states that the figure is the effigy of a tyrant called Min. This curious tale was first related by Juliet Bredon in her book ‘Peking.’ She says, that there was a villainous and hated ruler of the Zhou dynasty (1121-255 BC), called Min Wang, King Min. According to the tale, this king was a cruel despot, and the people, unable to tolerate his villainy, arose in anger and overpowered him. He was strung up from the roof of his own dwelling and left hanging there without food and water, exposed to the burning rays of the sun, until he died. Bredon says that he is commemorated by the first figure on the roofs of the Forbidden City where he is riding a ‘fairy hen,’ escorted by the other animals. She freely admits that she was unable to discover why the other animals should ‘accompany a monster like Min Wang, nor why he or they came to be considered protectors of a building, nor why the figures must always be in odd numbers.’ (Peking, p. 87) The reference to Min Wang is curious, and I have been unable to find any reference to a Zhou king with this name.
The story was repeated some years later by Arlington & Lewisohn, in their book ‘In Search of Old Peking.’ The cruel tyrant, however, is now stated to be a Prince, namely Prince Min of the State of Ji, who lived, they say, in 283 BC. They declare that to ‘stigmatise his evil deeds, the people of the State of Ji placed his effigy, riding a hen, on the roof of their houses. With the weight of the prince its back, the hen could not fly down to the ground, and in order to prevent it escaping over the roof a chi wen, a kind of dragon, (sic) was placed at the other end of the ridge.’ They do not explain why the effigy of this tyrannical Prince should be sitting on a hen, but they stoutly say that a chi wen was placed on the roof to restrain it. They describe this chi we as a ‘fierce beast with horns and a bushy tail, and its mouth wide open, as if to swallow Prince Min and the hen if they venture near him.’ This is an obvious reference to a Hanging Beast. However, Arlington & Lewisohn were somewhat lax in their observations. The Forbidden City Hanging Beast, has neither a bushy tail nor an open mouth, and it certainly not a chi wen. They also err by saying that any of the first five animals following Min can be repeated if necessary to make the required eleven figures on the senior buildings. This is nonsense; repetition was never made.
Both stories about Min, of course, are poppycock, and neither of the story tellers speculates why a Ming emperor should perpetuate a story about a villain from so long ago, King or Prince, especially on a hen which was usually considered an indication of bad luck if it were on a roof.
But who or what is this mysterious human-like person? Observation of the figure by means of binoculars, or a camera fitted with a telephoto lens, will show that the so-called King or Prince of Min has elongated ears. This is the unquestionable characteristic of an immortal. There are several stories in Chinese mythology of gods or immortals riding a phoenix to heaven, and these were considered to be functionaries of the Supreme Emperor. There is a beautiful example of this on a painted scroll, attributed to Liang Lingtan of the Tang dynasty, in Osaka Municipal Museum of Fine Arts. (See Anthony Christie, Chinese Mythology, p. 61) The humanoid roof figure is unquestionably intended to represent a messenger between the Son of Heaven and Heaven itself. All contemporary Chinese sources now agree about the figure being an immortal, and a few state that the bird he rides is a Phoenix. However, it is a curious bird. It appears to be squatting, almost as though it was hatching an egg. Its legs are completely covered by the feathers of its breast, and it is curiously reminiscent of the old English hobby-horse. However, positive identification as a phoenix is not possible.
There are several versions to be found of this Celestial Being on Chinese roofs. One has him wearing a flat hat, another has him with upright pointed hair, and another which is much more elaborately designed and has obviously not been manufactured from the standard moulds of the imperial factory.
The Celestial Being is unique to the Ming and Qing imperial buildings. It is not restricted to the imperial or imperial family Buildings in Beijing, however, and it can also be found on imperial buildings outside the Capital, for example at the Temple to Confucius at Qufu. However, apart from these imperially patronised buildings it is not found anywhere else in China.
However, even on buildings constructed in the Ming and Qing imperial style it was not always included. For example, the memorial gateway to Biyun Temple (Ancient Chinese Architecture, p 166) has no such figure, even though this is clearly of Ming design. The Bai Yun Guan, the Daoist White Cloud Temple has several imperial-style buildings, for it was granted money by he Wanli emperor for its restoration. Yet none of the buildings have the Celestial Being. There is no Celestial Being to be found at the Dule Temple, and he is omitted from many buildings at the Tan Zhe, and the Jie Tai Temples. There are even buildings at the Western Tombs of the Qings that have no Celestial Being as the first of the figures on the roof. Interestingly, the memorial Gateway at the Ming Tombs does not have one (ACA p 150) though it has the Hanging Beasts and the usual set of little beasts. Perhaps this is a clue, for this is a gateway through which the emperor’s cadaver never passed. So, why the omission? I would venture an explanation. If one considers the Celestial Being to be the emperor’s personal means of communication with heaven, it would seem that buildings that were not visited by him, nor those that were not liable to be visited by him, were not provided with his earth-to-heaven messenger — a messenger between the emperor and heaven would not be necessary if he were never to be present.
Adding to the confusion is the tendency to copy the roof figures in modern buildings, or when renovating old ones. When this mysterious roof decoration is seen one has to be careful to determine when it was erected.
#15
Posted 14 November 2007 - 10:29 PM
Publius, on Sep 25 2007, 06:00 AM, said:
number of those figures(...not a figure really...it is a cape for the wooden nail) imply the social position, or say the power, of the house owner.
all around china, you will find 1~9 figures on somebody's roof, but the one and only one of 10 standing figures you can see, is the hall of supreme harmony,
that hall was the only one place that, god and human contact happens, that hall owned by the emperier and the god, so it having 10.
those photo you show us is not taken at hall of supreme harmony, that hall named 乾清宮 is the living place of emperor and his wifes, haveing 9 of it,
and you may find 7 at house that owned by blood borthers of emperor,
5 at the roof of some important officials,
3 at normal officials,
and 1 at lower position officials,
and none at normal citizens.
i am a chinese living in Hong Kong, forgive my poor english,
but i really happy to know foreigners like you guys get interested in chinese culture.




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