Nope, I am not hostile. I would suggest in turn you seem very defensive over a 'discovery' which you asked for 'comment' on. The thread is called 'Chinese mail & plate' which is at best a misnomer and on the balance of evidence so far seems to be extremely subjective.
1. I don't need those links to show me what mail armour is, as I'm well aware myself. Like I said;
"I have no doubt that you know exactly what 'mail' means, yet I am stating the obvious for readers. Even small plates linked by metal wire will still be a lamellar armour. & ........
Either way newbies could be mislead without some clarification."2. South Asian/middle-eastern mail and plates didn't look at all like the armour depicted on the statue.Like I said,
"I do not understand the term "mail and plate" being used here." {I would say that in that instance it is likely being 'mis-used' and ask if you can find it in a text.It seems to imply a half plate, transitional plate armour, as in
http://www.chinahistoryforum.com/lofiversi...php/t4691.html} **diagram from thread is below
3. Those Ming paintings clearly depict something other than lamellar, even if they are blurred. Have you ever seen lamellar constructed of Hexagonal pieces? I said for clarification;
"Lamellar armour........is made of armour plates {shape not specified} stitched together and so connected to themselves as opposed to the scale/backing method. "{You seem to base this on these pictures when the shape of the plates is not important and the method of construction is what defines it. I have seen Lamellar armour in hourglass shapes, bar, shield, rectangle, half circles, flattened tear drops and other assymetric shapes. Hexagonal would be fine.
BTW See figure 10 on Albert Diens article, where diamond patterns are worked inlaid onto shield shaped lamellar plates on a fine fish scale armour. In a painting if the diamonds were painted on the armour in an artwork it would not mean proof of a new method of construction even if diamonds were shown.
You are not considering the construction on brigandine in the late dynasties either. A shape is not what defines an armour type.}
4. The differences between the armour of the two soldiers are clear. If you can't see that, I have nothing left to say.Like I said
"I could only concede it might look that way to somebody else."
{You are looking at a painting and a shape on a armour shirt but it does not follow that a different method of construction has been shown.
If mail was being used or worn there surely there should be some clear evidence? If you have nothing left to say then just realise you have not offered anything new and neither have you improved the quality of images to allow me to understand why such a view should be made on this form of 'evidence'.}
5. How am I supposed to find "a shred of an excavated suit"? How I am supposed to quote a military text when I don't read Chinese characters (or at least not very well yet)? {Is that the limit of your "discovery"?. For example I have about about 6 texts that show actual iron armour from the period of my own study, the much earlier Han dynasty, and if you are trying to reveal something contentious to the forum then I would expect you should consult your peers/fellow enthusiasts from your own focus area, review books of surviving armour examples, & find extracts/translations & question a Chinese reader on the characters that could mean 'mail' in Chinese. Typically when I find something I might want some info on I would e-mail people I know with a common interest or seek a translation for a key-word or consult the English language texts I have. i.e; Use a library card. Talk to your peers. Consult members with a knowledge of Chinese characters.
I have quite often come across bronze age artifacts that will not be shown in any book, or even prehistoric items. Sometimes after a year I might see something that helps it fall into place. Other times not.The point is that Ming dynasty armour should present no more of a difficulty and especially if you are talking about something evidently shown in a number of paintings. If you can't find anymore info then, well, maybe the obvious answer is that it is a type of lamellar or brigandine.}
6. "Mail and Plates" was also used in Korea. What are the chances that this armour spread to Korea and not China?{Again.....I do not understand the term "mail and plate" being used at all. Consult some previous studies and try and find the term being used.
A section of chain in a lamellar suit does not make it 'mail' or the lamellar 'plate'. For instance in "A Brief Survey of Defensive Armour Across Asia" the distinction is again made between real mail, like the Parthians, and scale, like the steppes people wore, and lamellar etc. The distinction is well understood and it is about construction methods and the primary aspect of an armour. }
7. Wujiang actually posted an image of Chinese "mail and plates" some months ago, which you can probably find through a simple search.{I have not seen that and I tried a search but untill I see the pictures or evidence the terms are employed correctly then I would consider Chinese 'Mail & Plate' to be a CHF term only. If you can post the link that would be appreciated since this is the contention of your thread. In the common context that academics use 'mail & plate' it shouldn't be use to describe other mixed types of armour which are mostly comprised of scale/brigandine/lamellar. This is misleading based on your pictures and on the CHF link of armour types I gave above real plate & chain armour is shown. If you also have evidence of real chainmail shirts being used as an armour in Ming (not as linkage) or if you can find a reference in a scholarly source where a linkage of mail amongst lamellar makes the suit 'mail & plate' then I would be most curious. At the moment there is no evidence on this thread for either.}
Conan quote; My stance is this: Ming paintings depict a form of armour seemingly constructed of hexagonal plates. The design is not consistent with any type of lamellar I'm aware of, nor does it resemble lamellar armour portrayed in the very same illustration. It does however, share some similarities with a Chinese statue wearing what appears to be a suit of "mail and plates" armour. 'Mail and plates" was used widely in east Asia (Korea, Japan) and central Asia {???????}. It is unlikely that this efficient type of armour was not used in China considering most of it's neighbours employed it.Here are some examples of Japanese
mail, shirt and mail arm pieces amongst other types.
http://www.armourarchive.org/way_of_japanese_warrior/Japanese did insert small lamellar plates into chain, or used chain to cover areas of flexibilty when other armour (lamellar) formed the bulk of protection. (i.e the common type termed ''so gusari'')
The construction is shown here on a good article;
http://www.caradoc.org/~iain/gusari.htmlHowever, if you can find any reference to Japanese armour as a 'plate and chain' please show me because it is better to use the actual terms to describe the Japanese version of chain, as given on the thread. Here is another glossary with shows how complex the numerous varieties of armour fittings are;
http://www.sengokudaimyo.com/katchu/katchu.glossary.html There is no need to use potentially misleading terms. Mail is only one element/portion of Japanese armour which is made up of a great number of components and should not be confused by using European specific terms for a whole. i.e ''plate & chain'' when Japanese used lamellar/scale/brigandine as a larger portion of the whole. 'Shino' (Japanese) or 'Splint' (English) is often mentioned as a suit type {although this is typically arm and shoulder only}. Japanese armour includes a complex composite of different armours.
http://surbrook.devermore.net/herosource/japanarmor.htmlQUOTE
""1: Cheap shino (splint) armour is a few metal splints attached to a fabric base, spaced out.
2: Good shino (splint) armour is closely spaced, sometimes overlapping, or else reinforced with mail between the splints.In the 16th century Japanese body armour made a gradual transition, starting from kozane (many small scales laced tightly together), evolving to larger plates still laced together (lamellar armour), and finally to few large plates riveted together, or even solid breastplates. Cheaper armours of tatami or kikko design continued in use throughout this period, sometimes even for high nobles.
Mail was in common use as a component of other armour (armpit protection, for example), but not for body armour or full suits.
Throughout this period shino (splint) armour was the most common protection for vambraces and greaves. Cheap shino gave minimal protection. Regular shino filled the spaces between splints with mail. In extreme cases the splints might overlap, giving excellent protection equivalent to plate armour.
Lamellar armour was in common use even after plate breastplates came into favour in the later 16th century. Sode (pauldrons) and Kasazuri (tassets) were almost invariably of lamellar construction. ""
With regards to the paintings this thread is based on hexagonal plates (a shape) which are not what makes lamellar or scale or brigandine into 'mail & plate' and neither does the statue show mail in even the Japanese style. Without examples or Chinese terms for the methods employed in Japan with mail we are presently left with no evidence of similar construction.
That non-Chinese forms of armour (including scale) came into China by way of foreigners, or as even one source I gave earlier claims, that chainmail was later imported into China, is a possibility but the issue is to be able to confirm it was either worn or manufactured in China at all. More needs to be done and what is actually being suggested here needs clarification.
I would hope that more information would be forthcoming before a Chinese 'plate and mail' idea is considered a closed case and also a more correct terminology should be considered for composite armour types.
**diagram from CHF thread;
note 'Mail & Plate' in the correct meaning, or 'half plate'. (see 1350ad)
Newbies should not come away from this CHF thread saying 'Chinese Mail & Plate'.