I am aware you were banned. After you left there was a sudden emboldening of the members to post pictures of their monstrous fakes again.
I made the mistake of replying a couple of times and as a result was called names and told I was ignorant (even about ancient Chinese weapons no less!).
Chicochai forum is a mutual-support group for collectors of fakes and so it is natural they defend the dealers who they are paying money to.
There are occasionally competent collectors who appear there, and one mystery to me is why people like Russ, and later Bill, would bother to post on the forum.
Here is a notable disccusion that occured on a thread after I had backed off. Trish and her supposed customers ridiculed this Mr. Sun. The discussions there really are amazing. This article and then Russ's extracted comments are worth adding here though.
The comments of this archaeologist on the rarity and great value of ancient jades were scoffed at by members, one said 'a load of baloney' while Trish joked 'this Sun doesn't shine too brightly'.
The joke is on them however as they purchase big bulky modern forgeries.
Even MarkG claims the idea jade is 'rare' like I said was un-intellient since he claims '5,000' HongShan jades come from a single site. In truth he took a Xinhua article figure, almost certainly a total # of all items found, since by all accounts the total number of jades found in all excavations is much lower than MarkG's site....i.e even in Guo Dashuns excavation where several hundred artefacts were found there was a score of jades recovered from massive tombs of the ruling class. This % & # was still enough to make the site the most famous HongShan site in China.
Those people who think that enough jades are often found in China so hundreds or even thousands to come to the West yearly for sale on the internet are not interested undersandably in the comments of HongShan expers like Mr. Sun.
Author: Bill
Date: Mar 20, 2007 12:34
Member since: Jul 8, 2006 08:49
IP: x.x.208.10
This is the rest of the translation of the article regarding an interview with Mr. Sun. The reason for my posting this article is not to agree or disagree with anybody. However, in order to truly embrace a hobby it will be very unwise not to hear about the opinions of other collectors (especially an expert who was credited in bringing the Hongshan culture to the attention of the world outside China) and since Hongshan culture did originate in China (or inner Mongolia). Therefor I think we should keep any open mind when we read the article and treat it as it is: just the expression of personal opinions of a Hongshan jade collectors/expert in China and should not be too critical.
Sometimes I believe Mr. Sun is quite vague and I think may be he did it on purpose because I believe he doesnt want to share everything with other collectors. Chinese always want to hold something back and may be when he writes his own book he will include them there. All his ideas are very general and not very specific. The interesting part is that while he doesnt believe there are many authentic Hongshan jades existed in the current market (100+) and there are only about 10 19 authentic pieces entering the market each year, he does believe it is still possible to find authentic Hongshan pieces in the current market. He is not hostile to fakes and he believes fakes have their unique purposes and survival values. If a modern carver (forger) can capture the “spirit” of the Hongshan culture and not just the forms of Hongshan jades, then it will be beneficial for the future development of the culture. He did abhor any Hongshan fakes that totally murder the original spirit of Hongshan culture. He says the key to tell an authentic Hongshan jade piece is to “feel” it, feel its spirit and not just focus on its form. He believes many Hongshan jades are created in a way that the artist can express his intimate relationship with mother nature and therefore many of them are made in the forms of different animals and insects.
I believe his viewpoints are quite philosophical and yet may be close to the truth in appraising Hongshan jades. I believe in the collecting of any antiquities including Chinese one, sometime the “feel is more important than anything. One of the authors I admire the most is Elizabeth Lowell who is famous in writing romance novels. However, she seems to be extremely knowledgeable with the collecting of Chinese bronzes, Jades, pearl, Gem stones, etc. She wrote several books all with precious stones in their titles (Amber Beach, Jade Island, Pearl Cove) and they are extremely entertaining and I suggest all Jade lovers should read the Jade Island. In one of her earlier books, Tell Me No Lies, it talks about the story of an American Bronze expert, Lindsay who was born in China who has the uncanny ability to tell a fake bronze from an authentic one. When she appraises a bronze piece she uses her sense to feel the piece, even though everything may be correct about the piece -the form, the material, the patina and even the testing , somehow it just didnt feel right to her, she will know immediately that it is a fake
She was always correct in her feeling. Therefore, I believe either you have it or you do not. If you do not have it, you may never get it, that is, the special “feel” or innate ability a natural collector may possess to admire the beauty of an authentic piece.
http://3w+.cangnet.com/html/200509/2005092013405935.html An interview with Hongshan Archaic Jade Expert Mr. Sun Shou-dao
Source: Market of Arts: Year 2004 Vol. 7 Reporter: Liu Xin-liang Sept. 20, 2005 13:35:38
Discussion of fakes in the current market and the milestones of the development of fakes in each dynasty
(skip first paragraph introduction by the reporter)
Reporter: Mr. Sun, you are a Hongshan Archaic Jade expert. The current situation of forging Hongshan jades has become very critical, what are your current views toward all these confusion in the current Hongshan jade market? Are most of these forged jades originated from north-eastern China or inner Mongolia?
Mr. Sun: Almost all the Hongshan jades available in the current (Chinese) market are fakes. There are just no other ways around it. Every dealer in the market claims their jades are authentic. You try to teach them how to distinguish the real things from the fakes. They turn around and learn how to fake them better. Therefore, the fake one become real and the real one actually become fakes. Presently, a lot of books to distinguish between real and fake jades have been published. Related to Hongshan jades, there were two books published in Taiwan and two in mainland China. To have books published are great because it provides the novice collectors with knowledge in telling real jades from fake jades. It encourages the popularity of the hobby but in the same time it also provides the sources for the forgers to fake their jades. I have been thinking in how to deal with this problem. My first battleground is taking pictures at archaeological sites: participated in archaeological excavations and subsequent researches. Originally there were not many Hongshan jades being excavated, only about 100+ pieces. Later, there were more archaeological discoveries and the number of stuff being excavated increased proportionally. Due to the wide spread of Hongshan culture, from the north of He Bei (Ho Pei), to the east of inner Mongolia and the west of Nuehling, across all three provinces and their borders. We cannot pin point problem in any one of the three provinces. However, although there are so many fakes in the current market, I can rule out the possibility in finding authentic one. The key is how to discover the real jade from all these fake jades. This is our ultimate goal but it is also the biggest obstacle. Therefore when we look at the market of cultural arts (collectibles), we must expand our scope of searching. We need to allow the accumulation of all jades including the fake one, then takes time to eliminate the fakes from the real ones. We should consider all fakes as authentic so that we will not miss anything. Even though there are fakes, we should allow their existence and should not destroy them. If for some reasons we mistaken the real things as fakes and destroy them, it will be very regrettable. There are still real Hongshan jades in the market. For example, in the Pau Jian Yuan in Beijing (北京潘家园) I have a friend gone there all the time to search for real Hongshan jades and he found five to six authentic pieces. Some are even very good. The varieties and styles of some of these authentic Hongshan jades have never been seen before. There will be always fakes mixed with real stuffs in the market. If there are no real stuff, there wont be any fakes. We cannot claim real stuffs are always the best and in the same token we cannot say all fakes are bad. Sometimes everything is just all mixed up.
Reporter: You originally believe that there are only about 100+ pieces of authentic Hongshan jades exist in the current market, however with so many archaeological finds and excavations and with such excitements in the archaic jade market, there have been many more jade transactions, do you think the number of Hongshan archaic jades is increasing?
Sun: Yes,
I believe there will be 10 to 19 more pieces of archaic jades entering the market every year**. There are many people and dealers who live around the Hongshan cultural area who have been digging for Hongshan jades. We are the only authorized archaeological team who are supposed excavate legally. We have discovered some authentic stuff and are afraid to have them published. If we resist publishing them, then they will not start appearing in the market (refer to fakes). Once we publish them, it will not take long for forged stuffs appear all over the market. They will expand the forgery into a large scale because this is a common phenomenon in the current market. Therefore if you ask me in how to judge the current market of cultural collectibles, this is not an easy question to answer. Yes, there are many fakes, but we cannot rule out the existence of the real Mccoys. There are definitely authentic Hongshan jades still available. Give you a personal example, I have viewed more than ten thousands of Hongshan pieces in Hong Kong, Taiwan and Sin Yan and I have very mixed feelings. Previously, there were many pieces of Hongshan jades in Hong Kong and Taiwan. A few years ago, those dealers came to China and bought fifty to sixty thousand pieces of Hongshan jades. Some they have to spend more than ten million dollars to purchase. According to my opinion, I do not believe there are so many authentic Hongshan jades. You are luck if you can find more than 10 pieces. Therefore, even auction companies will not accept consignment of Hongshan pieces so readily. From all the Hongshan jades I have seen, plus what are available in the market and displayed in museums, I believe there are about 1000+ (below 2000) authentic Hongshan pieces. Therefore we cannot forsake the current market of cultural collectibles because even though both fakes and real stuff are coming out of this market, but with future excavations (illegal) we will definitely discover some real Hongshan jades here.
(to be continued)
Reporter: What is your view on the current flood of Hongshan jades into the market?
Sun: There are lots of Hongshan jades out there and the market is complex. We need to focus on two things: First is to look at the original works and see if they are truly jades made during the Hongshan period; Secondly, we need to look at their ages, including when they were forged. With so many Hongshan pieces in the current market, it is not possible for all them belong to Hongshan period because there were imitation Hongshan pieces during different Chinese dynasties. However, I believe there are more new Hongshan fakes than old fakes. How should we look at the problem of new fakes? My personal view is that if old stuff disappear, then even the new stuff will become valuable. For example, in museum, they have quite a few forged items. One reason is they use them for displays and exhibitions; another reason is that real stuffs have become rare and they need to be protected. After a while, even reproduction pieces will justify their presences. Another type (of fakes) is the “remake” of Hongshan archaic jades. This is both an artistic phenomenon and a crafting arts phenomenon because the artists rejuvenate their artistic innovations. I believe this is a good sign. They inherit the superb tradition of Hongshan culture, yet conserve the Hongshan styles, but in the mean time they interject their bold imaginations and creativities into the new pieces. We should allow them to inherit, expand and create because only then we will have new innovations. There is a mystic force in the jades of Neolithic cultures, their intensity are so profound and are loved by many people. To limit their inheritance and development will be cruel. I dont think that will be right. I believe what they are doing is a tribute to the Hongshan culture. However, this is totally different with
some forgers who just imported some Indian gods to China and called them Hongshan culture or bring the little mermaid from Hans Christian Andersons fairly tales and call it Hongshan culture. These resulted in laughing matters to the whole hobby. They do not admit these pieces are made from their own subjective imaginations nor can they say what type of styles they are imitating, but they insist their final products are that of Hongshan. This is the kind of forgery that lacks culture and should not be valued.** Therefore while we lament the fact that forgeries (of Hongshan jades) have become widespread, without any rules and patterns, sometimes even out of place and grotesque, at least it will improve our abilities and wisdom in the appraisals of such objects.
Reporter: How many times had Hongshan jades been reproduced during the history of China? Are there any peak periods? For example, Sung dynasty imitations, Qing dynasty imitations, Republic of China imitations, just like Qing (Emperior Yung Ching) imitated Sung dynasty ceramics, etc. What is your view toward this phenomenon of imitation (of Hongshan jades)?
Sun: To forge is almost unavoidable because it has been happening since ancient time to the present. During Qing Qianlong time, Hongshan jades were already very popular, therefore some Hongshan jades even have the stamp (or writing?) of Emperor Qianlong. Apparently, many collectors already focused on Hongshan jades in Qing dynasty and many forgeries were available. Now we cannot find paintings from Tang dynasty but we can see lots of Tang imitation pieces (paintings) made during Sung dynasty.
Therefore we should judge the problem of forgery objectively and cannot just say it is not good to forge. We should judge it with its overall contribution to the whole Chinese history. Almost most of the stuff currently available in the market are new fakes, that means they were reproduced currently by people, but there are a few fakes that came from Qing dynasty or the Republic of China era (1911-1948). You can almost tell the fakes just by their market prices.
When you negotiate, if the dealer will let you have the piece for RMB $80 - $160 (US$ 10 to 20), do you think it can be real? ..On the other hand, even some high-priced items may not be authentic because some buyers believe if the prices are high enough then they must be real. The seller understands this way of thinking and therefore they will put high price stickers on their items.
In general, most real Hongshan jades are in the RMB$100,000 to over RMB$1,000,000 price range, how can ordinary people afford them?**
Reporter: There seem to be many different topics and forms of Hongshan archaic jades. With such profound and broad cultural backgrounds, therefore they have been attracting many collectors and admirers. Would you talk about the origin of Hongshan culture, the topics and intrinsic values, forms and characteristics of Hongshan jades?
Sun: Hongshan jades had reached its peaks after the continued development of several thousand years. Prior to the Hongshan culture, there was about eight thousand years history, and when it reached the Hongshan era, there was a tremendous explosion, a full-scale explosion. The Hongshan culture has a very intimate relationship with the mother nature, it is closely related to the beauty of the everyday life of a northern tribe and it meets the needs of such northern tribe. The topics of Hongshan jades include a large varieties of animals (include insects or everything that can move): e.g. dragon fly, bat, eagle, goose, frog, grasshopper, butterfly, bee. Almost every tiny creature in mother nature were used as topics in the creation of Hongshan jades. You can see these in the current market. In reality, there is not enough study in comparing the early, middle and late period of Hongshan jades and there are much works to be done. The characteristics and forms of the Hongshan culture had been used in early Chinese paintings: its simplicity and antiquity is full of profound cultural flavor. Therefore we may apply the same principles used for appraising other Chinese arts on Hongshan jades. Some said the peak of Art perfection has been achieved with Hongshan culture and I believe this may be true. Hongshan culture serves as an origin. The number one characteristic of Hongshan archaic jades is not in their forms, but rather it is in their spirits and essences. It is this feeling of ambiguity, impenetrableness and mystery that is difficult to describe. The coexistence of abstract and logical concepts is displayed both vividly and powerfully on all Hongshan jades but with clear distinction on each piece. We should not look down upon such early culture, sometimes modern culture is barbaric but early culture is actually more civilized. Such way of thinking consists of profound philosophy. Many forged items can only capture its form but not its spirit.
Reporter: Since the archaic jade market is a vital part of the overall cultural market, what is your view toward its future and how should we maintain such market?
Sun: The future development of the jade market will depend on your magazine (Market of Arts) (he laughs, saying it seriously.) Presently there are many experts and more and more people fall in love with Hongshan jades. A few related books were published and some are BIG books (with lots of information). Many writers ask experts to write introductions for their books and examine their books before publishing. However, if just 80% of jade items displayed on those books are real, it will be fantastic. There are now so many auction companies, even though they all hire experts, they still cannot avoid selling forged items. The fact that there are more and more collectors and jade items is a good thing because it indicates the strength of the current market. There is no way to stop the growth of the market but how to keep it on the right track will be critical.
Reporter: How should we appraise Hongshan jades? What are the keys and what will the problem areas be?
Sun: Every collector will be ripped off when they start collecting, this is a normal growth process. There is no way around it. You always have to pay tuition (to learn). Of course some will pay higher tuitions than the others but nobody can avoid it. There are many places now offer training courses in how to perform appraisals. There are many ads on your magazine offer such courses. This is a side product of market explosion. On one hand it shows the current market is red-hot and on the other hand it shows the collectors total involvements in the current market. How to appraise is a special skill and the key is to “feel” (truly sense and understand it). Even if there are many keys but if you cannot feel or fail to feel, it wont do you any good even I repeat everything to you. Both antique and jades have their critical weaknesses and these are their keys. (This sentence is hard to translate) If you can grasp these keys, control them, you will know what to do with them. The current market is a world filled with both truth and falseness (means authentic and fake jades), there is no world with just truth alone nor is there a world filled with falseness only, nobody can totally escape it. Whether you are successful or not will depend on the degree of your “feel”.
(*According to the article, Mr. Sun had been involved in the excavation and research of Hongshan cultures for over 50 years. He had been working in different museum including the one in Niuheliang. He had participated in the excavation and study of Neolithic caves and tombs during the 50s and 60s and help in the identification of large group of Hongshan jades in the 70s and helped traced the origin of dragon to over five thousand years ago. In 1983 he led in the discovery of some of the famous Hongshan sites (see below) at Niuheliang, west part of the Liaoning province.)
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Author: Bill
Date: Mar 20, 2007 12:45
Member since: Jul 8, 2006 08:49
IP: x.x.208.10
In the first paragraph, it should be"I cannot rule out the possibliliyt of finind authentic Hongshan jades" in the current market", not "I can rule out....". Sorry for the error.
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Author: Russ
Date: Mar 20, 2007 13:36
Member since: Dec 4, 2002 18:47
IP: x.x.7.193
Bill,
Thank you for translating this article for us and posting it here. That was a lot of work, and everyone here I am sure appreciates your time and generosity in sharing it with us.
It gives us an idea of the problem with the flood of fakes out there.
My wish would be that everyone here could have the opportunity to go through the 15 volume set "The Complete Collection of Jades Unearthed in China", which may still be available through Paragon Books.
It has over 3,000 high quality photos, all of documented excavated jades, mostly from neolithic through han periods, most never before published. These are jades held in the archaeological insitutes and regional museums throughout China, not even on display but in the storerooms. You cannot help but learn to recognize what genuine ancient jades look like after viewing this set.
Interestingly, all of the jades are small, with none of the large elaborate jades we see posted here so often
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& Russ (replying to the usual sparring patners);
.....Of course I believe in surface alterations and weathering. The 15 volume set on excavated jades in China which I would hope you would read is full of an unbelievable range of alterations, though virtually none resemble what you {...meaning Trish Wilson...a dealer in the questionable jades being discussed....} continue to post here.
Further, I am no great supporter of high-priced galleries or auction houses. What I am a believer in is correlating jades we post on this forum with jades that we know to be from excavated digs, and therefore a benchmark of authenticity.
In the hundreds of postings on this forum of your vast collection, what is striking is how similar the "weathering" is regardless of the period the jades are supposedly from.
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Again, a reference to how UNLIKE the jades such people collect actually look like the real museum and excavation examples.
As a side note while overseas I was able to view jades from Sanxingdui at the ACM in Singapore (on loan) and other Chengdu culture jades from 3,000 years ago.
The jades there include unique Sichuan styles, as well as ge and tsong. I could see dirt on the surface as they had not been tampered with. They were lustrous and more or less 'as new'.
Funny how Chicochai forum members jades, even from the Qing period, apart from being grotesque and bulky, are universally stained white and pockmarked on the surfaces.
At the Taipei NPM I saw many jades and some were excavated in the 1930's. Dirt, ochre and even dirt & ochre on the same piece could be seen again on the lustrous surfaces.
The only alterations were partial or complete chickenbone whitening on a notable minority. This whitening however did not 'pool' in the carved recesses in the consisent way that Chicochai members jades do. These were actual jades from 4,000-2,000 years old.
The real Zhou jades were mostly thin, looked delicate, and were small. Beautiful objects. The neolithic ones had very few signs of alteration as a general rule. Tooling marks & flaws were more visible as signs of antiquity more than any eroded surfaces.
Sigh.
The Chicocahi jade pals really are a very strange bunch if they claim to admire ancient jades and yet scoff at all the benchmarks that their pieces might be compared to and denounce the 'experts' who personally excavate such items.