QUOTE(General_Zhaoyun @ Jun 12 2005, 10:56 AM)
This "Qing Ming Shang He Tu" (painting of Qing Ming Upper River) was drawn by Zhang Ze Duan 张择端 of Song Dynasty. It represented the highest achievement in landscape art.
You did notice that one characteristic of chinese art is that it can be viewed and drawing from multiple perspective, as compared to a single point of perspective in western art. This means that chinese art can be drawing as long as it wants to be, being viewed from many perspective.
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Indeed, this use multiple perspective is similar to what Western artists such as Pablo Picasso developed in the 20th century.
Scholars have also categorized this work as a "
jiehua" or ruled-line painting, which render many carpentered objects such as buildings, ships, and carts. Prior to this painting, such paintings that relied on the use of rulers, were not considered with very high-esteem. In fact, I think they were frowned upon by the academy.
This particular work that Yogi has put up, however, is not the Zhang Zeduan's original, but is actually a later copy of his work. The original work depicted the Northern Song capital of Kaifeng (Biangliang), and is argued to have been painted to commemorate the reopening of the canal leading into the city.
It seems to me that Zhang Zeduan's Qingming Shanghe tu became a template for later works. I vaguely remember that the Ming and Qing painted their own versions of the Qingming scroll. The architecture and man-made artifacts as well as the names and labels on the painting can help to identify where it is from.
I wonder when this version of Qingming Shanghe Tu was painted.
the original (pardon the quality) looks like this:
Click to view attachment